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KFC Believe in Chicken 

This is not an ad – it’s a recruitment film for the cult of chicken. Created by Mother, Believe doesn’t sell food, it sells faith. It leans all the way into the absurdity of fandom and turns KFC into something you don’t just eat, you worship. 

Subtle AI references? Massed synchronised dancers? I’m ready to be baptised in gravy.

KFC UK & Ireland – Believe in Chicken

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Frontline19 Sicker Than the Patients

This campaign from adam&eveDDB still haunts me. It’s raw, rage-filled and beautiful. 

I love it because it gives voice to the people holding the whole damn system together, and does it without pulling a single punch.

Frontline19 – Sicker Than The Patients

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Ecover The Rewear Chair 

God, I love this one from Uncommon. The Rewear Chair is smart, strange, and told in that chatty, natural style that makes you reflect on your own habits. 

It’s the kind of beautiful, oddball idea that we need more of in the sustainability space – art that makes you think while making you smile.

ECOVER – The Rewear Chair

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O2 Daisy vs Scammers 

Daisy isn’t just a great character, she’s a proper, working concept. A real AI tool wrapped up in the charm of a granny. I love it because it proves that AI can be useful, entertaining and human, and it’s so satisfying to hear the scammers’ frustration. 

This is a genuine benchmark for how brands should be using tech.

O2 – AI Granny Scambaiter

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Women’s Aid The Monster Who Came to Tea 

This work is powerful. It creeps up on you, lulls you into a false sense of security, and then flips the script. Its impact lies in its quiet power. It doesn’t scream: it whispers. And that’s what makes it devastating.

Disclaimer: Yes, this one’s from my own agency House 337. No, I’m not biased. It’s just that sometimes your team makes something so good and so important that it deserves the spotlight, even if you have to be the one awkwardly holding the torch.

Women’s Aid – The Monster Who Came To Tea

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