Covert adds Harvey Gunn
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The studio expands its audio offering with the sound designer and composer.
Creative studio Covert has appointed Harvey Gunn as sound designer and composer. Gunn’s role will extend the company’s capabilities across sound design, Foley, music consultancy, dialogue editing and restoration, and final mix.
“I first came across Harvey through his group Frankie Stew and Harvey Gunn, and I was immediately hooked on his music,” said Max Murphy, managing director and partner at Covert. “I then discovered he was equally accomplished as a commercial composer and sound designer, and I just had a hunch he’d vibe perfectly with us and enhance what we can offer clients under one roof.”
“From the moment I met Max and learned about Covert’s creative culture and remote model, I knew it was the right place for me,” added Gunn. “Everything they do is held to the highest standard and built on a foundation of exceptional talent. I feel privileged to be part of this roster. Everyone here is deeply passionate about their craft and brings a strong work ethic–values I share.”
Alongside his commercial practice, Gunn is one half of Frankie Stew and Harvey Gunn, a group whose genre-blending releases have amassed hundreds of millions of streams and collaborations with artists including Loyle Carner and Kojey Radical, alongside sold-out headline tours across Europe and Australia.
Beginning his career as an editor and engineer in Soho and Brighton post houses, Gunn has contributed to campaigns for Pepsi, Guinness, Paramount, Disney, BBC, DreamWorks and Channel 4. He later worked with Wafer Audio and Fitzrovia Post, developing a specialism in sports campaigns. Between stints as a touring musician, he freelanced across a wide range of projects.
Recent highlights include sound design and audio post for Trust is Alive, a fashion film for jeweller Bleue Burnham; original music and audio post for an Adidas spot featuring José Mourinho; and audio post for comedy spots for Hotspur FC. He also produced the official remix of The Zombies’ Time of the Season for Chelsea Football Club’s kit launches.
“Working with such a legendary track—one my parents and I have always loved—felt incredible, especially knowing the original band members signed off on it,” remarked Gunn. “And I’ve always loved the intersection of sport and music, these big cultural touchpoints.”
Gunn said his approach to commercial work mirrors his independent music practice: “My process is highly bespoke. When translating a brief, my focus is always on the principles and emotions of the brand story the client wants to convey. I then consider how to express that through a style and sound that feels authentic to me. Before I even turn on the computer, I already have the idea in my head. From there, it’s about working quickly and decisively, ensuring every choice—whether it’s a riff or an instrument—serves the picture.”
