More than nostalgia: Why legacy brands must lead culture, not chase it
Kicking off shots' Nostalgia Focus this month, Seb Hill, Executive Creative Director at BBD Perfect Storm explores how brands like Gap and Ribena are reawakening their storytelling power by tapping into memories of past times.
We are currently at a creative crossroads when it comes to legacy brands. Where once-heritage names relied on defensive marketing with strategies like promotional discounts, reactive trend-hopping, and superficial rebrands - with the likes of Amazon Prime and Ryanair springing to mind - we’re now seeing a welcome return to bold, identity-first creativity.
Nostalgia can improve mood, evoking the simplicity of childhood and anchoring us during periods of instability.
In an age of AI and automation, the brands that are winning hearts are those brave enough to rediscover their identity. At the heart of this shift? A powerful force that brands are finally learning to wield properly: nostalgia-driven creativity that activates audiences, not just consoles them.
In times of uncertainty, nostalgia offers comfort. It’s well-known that nostalgia can improve mood, evoking the simplicity of childhood and anchoring us during periods of instability.
Above: Gap’s new marketing embraces its heritage without becoming a caricature.
We look to the past to feel more hopeful about the future. And right now nostalgia is dominating culture; from Oasis to Pulp, Bridget Jones and the endless run of Disney live-action film remakes. Here, heritage brands have an opportunity to tune in.
Today’s consumers, especially Gen Z, want authenticity as well as familiarity.
But for brands, instead of bringing back the same ads from 10 years ago, today’s consumers, especially Gen Z, want authenticity as well as familiarity. They’re looking for something fresh and true to the moment: an original idea that bounces off that familiar emotional connection.
Credits
View on- Agency BBH/London
- Production Company Knucklehead
- Director Maceo Frost
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Credits
View on- Agency BBH/London
- Production Company Knucklehead
- Director Maceo Frost
- Editing MARSHEEN
- Post Production Electric Theatre Collective
- Color Electric Theatre Collective
- Sound Factory Studios/London
- Music Black Sheep Studios (In-House at BBH/London)
- Production Service Icon Films/Bulgaria
- Global Chief Creative Officer Alex Grieve
- Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Selma Ahmed
- Creative Director Genevieve Gransden
- Producer Zoe Lynch
- Producer Matthew Brown
- Production Designer Dan Betteridge
- DP Mika Altskan
- Editor Dave Davis
- Producer Maya Kilic
- Producer Harriet Cawley
- Executive Producer Magda Krimitsou
- VFX Producer Katie Sharpe
- 2D Supervisor Adam Woolrich
- Colorist Luke Morrison
- Sound Engineer Jack Hallett
- Audio Producer Olivia Endersby
- Producer Beba Yordanova
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency BBH/London
- Production Company Knucklehead
- Director Maceo Frost
- Editing MARSHEEN
- Post Production Electric Theatre Collective
- Color Electric Theatre Collective
- Sound Factory Studios/London
- Music Black Sheep Studios (In-House at BBH/London)
- Production Service Icon Films/Bulgaria
- Global Chief Creative Officer Alex Grieve
- Executive Creative Director Felipe Serradourada Guimaraes
- Creative Director Selma Ahmed
- Creative Director Genevieve Gransden
- Producer Zoe Lynch
- Producer Matthew Brown
- Production Designer Dan Betteridge
- DP Mika Altskan
- Editor Dave Davis
- Producer Maya Kilic
- Producer Harriet Cawley
- Executive Producer Magda Krimitsou
- VFX Producer Katie Sharpe
- 2D Supervisor Adam Woolrich
- Colorist Luke Morrison
- Sound Engineer Jack Hallett
- Audio Producer Olivia Endersby
- Producer Beba Yordanova
Above: Ribena’s recent campaign conjures memories of a happy, quintessentially British, childhood.
At this year’s Superbowl, Hellmann’s nodded to the wave of reboots and sequels with a play on the infamous When Harry Met Sally scene. The impact wasn’t just in the reference or the memory, it was tongue in cheek. Why shouldn’t we have what she’s having one more time? As long as brands can bring something new to the memory, there’s a chance to reignite old fans.
Legacy, after all, isn’t about looking back. It’s about looking deeper.
And for heritage brands, the challenge is to move beyond nostalgia for nostalgia’s sake, but weaving a long-loved brand persona into new creative ideas. It’s about making consumers feel that joy afresh, a call to brands to make creativity great again.
adidas has nailed this with its Originals x Oasis collaboration. Timed perfectly with Oasis’s Live ‘25 tour, it’s a cultural flex. The campaign captured the spirit of Britpop rebellion, football roots, and 90s youth culture without feeling like cosplay.
Credits
View on- Agency VML/New York
- Production Company Caviar/Los Angeles
- Director Jake Szymanski
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Unlock full credits and more with a shots membership
Credits
View on- Agency VML/New York
- Production Company Caviar/Los Angeles
- Director Jake Szymanski
- Executive Producer Josh Morse
- Editing Rock Paper Scissors
- Post Managing Director Eve Kornblum
- Executive Post Producer Justin Kumpata
- Post Producer Naomi McGarrell
- Editor Adam Pertofsky
- Sound JSM Music
- Sound Chief Creative Officer/Composer Joel Simon
- Executive Sound Producer Jeff Fiorello
- Sound Producer Norm Felker
- Sound Producer Andrew Manning
- Sound Producer Sharon Cha
- Producer Arlene Fernandez
- Global Chief Creative Officer Rob Reilly
- Chief Creative Officer Tom Murphy
- Executive Creative Director Susan Golkin
- Associate Creative Director Chandani Karnik
- Associate Creative Director Patrick Walsh
- HP Greg Lotus
- Producer R Stephan Mohammed
- DP Kramer Morgenthau
- Composer Jack Mauro
- Talent Meg Ryan
- Talent Billy Crystal
- Talent Sydney Sweeney
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency VML/New York
- Production Company Caviar/Los Angeles
- Director Jake Szymanski
- Executive Producer Josh Morse
- Editing Rock Paper Scissors
- Post Managing Director Eve Kornblum
- Executive Post Producer Justin Kumpata
- Post Producer Naomi McGarrell
- Editor Adam Pertofsky
- Sound JSM Music
- Sound Chief Creative Officer/Composer Joel Simon
- Executive Sound Producer Jeff Fiorello
- Sound Producer Norm Felker
- Sound Producer Andrew Manning
- Sound Producer Sharon Cha
- Producer Arlene Fernandez
- Global Chief Creative Officer Rob Reilly
- Chief Creative Officer Tom Murphy
- Executive Creative Director Susan Golkin
- Associate Creative Director Chandani Karnik
- Associate Creative Director Patrick Walsh
- HP Greg Lotus
- Producer R Stephan Mohammed
- DP Kramer Morgenthau
- Composer Jack Mauro
- Talent Meg Ryan
- Talent Billy Crystal
- Talent Sydney Sweeney
Above: Hellmann’s recent Super Bowl spot brought a slightly new flavour of sauce to its refresh of the infamously saucy scene.
Through storytelling, design and cultural timing, adidas activated memory in a way that made people not just reminisce, but act. They’re reinventing an era for modern fans. It’s a brilliant example of how rediscovering nostalgia can power multi-generational relevance and lead the culture through original creativity.
Ribena has also done something similar. Not content with being the drink you had in your lunchbox, it’s leaning into its quirky personality and national identity with unapologetic creativity. By reclaiming its playful charm with its ‘there’s no taste like home’ campaign, Ribena is acknowledging its roots in our childhoods while re-establishing itself as part of everyday British culture.
Credits
View on- Agency Johannes Leonardo/New York
- Production Company ProdCo
- Director Leigh Powis
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Unlock full credits and more with a shots membership
Credits
View on- Agency Johannes Leonardo/New York
- Production Company ProdCo
- Director Leigh Powis
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Johannes Leonardo/New York
- Production Company ProdCo
- Director Leigh Powis
Above: adidas Originals x Oasis collaboration captured the spirit of 90s Britpop in an authentic way.
And Gap, once the poster child of 90s Americana, is now regaining its cultural relevance by retelling its own story, on its own terms. The 56-year-old retailer’s revival isn’t about reliving the past, it’s about rediscovering the power of its original identity. Confidently embracing its 90s heritage without it becoming a caricature. And in doing so, it's winning back millennials who have grown up wearing it, and capturing new Gen Z customers too. Gap has moved from throwback to thought leader.
The more AI shakes the industry, the more we crave brands with heart, humour, history.
That’s the real opportunity. Inviting consumers to reinvest in who they once loved by remembering what made a brand great.
Legacy, after all, isn’t about looking back. It’s about looking deeper. A brand’s history is a creative asset, something built on real loyalty, emotion and trust. Rediscovering that DNA and expressing it in ways that matter today is how brands earn a place in the culture again.
The irony is that the more sophisticated our tech becomes, the more AI shakes the industry, the more we crave brands with heart, humour, history and originality. AI can help deliver efficiencies but it can’t generate gut instinct, or capture the essence of why a brand exists. That’s a job for human creativity. And will continue to be.
If legacy brands want to thrive in a Gen Z world that prizes authenticity, they must learn from these moves: own your heritage creatively, activate nostalgia but keep leading culture, not following it, and build cross-generational bridges.