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Known for bringing a fresh perspective to holistic production that makes for stand-out creative, Yacht Club is expanding its post offerings to intensify how and what it delivers on behalf of clients. 

Having honed an exceptional post process for their own productions, Yacht Club is set to bring that expertise and creative perspective to agencies and brands as a stand alone creative service or integrated with production.

“Increasingly, clients are looking for partners who can operate from both a creative and efficiency mindset,” notes Zach Law, Head of Post/Founding Partner of Yacht Club. “We make sure that everything is considered from technical to exploring the creative to make sure the best options end up on screen.”

“With post, we always just focused on supporting our own productions,” he continues, “and while we are still doing that and growing, with our expansion of our post department we are able to bring that experience to other folks as well.”

[L to R] Zac Gobetz, Jaqueline Xerri, Aria Yagobi, Zach Law, Amin Ashtar Ali.

Law’s colleague on the producing side is Zac Gobetz who brings 15 years of experience across Company 3, Movement Strategy, and Postworks, to his role at Yacht Club. He’s got the instincts of a producer, and is the collaborator that everyone wants in the room, the kind who keeps things moving and keeps you laughing.

Integral to Yacht Club’s post offerings is Aria Yagobi, who has served as an editor for the past four years, cutting spots for a wide range of clients including Baskin Robbins, Bud Light, and Gillette. Newly joining Yagobi on the editorial team is Jacqueline Xerri, whose work spans commercials, music videos, and narrative/documentary film. Her commercial clients include Etsy, Dunkin’, Vagisil, Architectural Digest, The North Face, and Pure, whose latest campaign directed by Jake Ladehoff received a 2025 Telly Award.

Award-winning 3D Motion Designer Amin Ashtar Ali is also an important recent addition to Yacht Club Films. As a VFX Artist, Ali brings his diverse experience in the 3D pipeline to tabletop filmmaking, where he integrates a range of post-production disciplines including 3D asset creation, animation, and compositing to help elevate the final look of each project.

“We want to offer a production solution that helps elevate the creative without overcomplicating the process, which is ultimately what this expansion is all about,” says Law. “Just as important, we want people to enjoy their time with us and to feel how much we care about going above and beyond for our clients.”

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