Cannes Contenders: USA
If Cannes is about championing work, says Dav Karbassioun, CEO at magna studios, then he hopes the festival champions the unusual, culturally relevant and, ultimately, brave work that stands out from the "increasingly generic, noisy universe". Work like the pieces below..
This year, in an industry that is increasingly risk averse and in which it's difficult to sell/protect great work, I hope the Cannes Lions Film and Film Craft juries go out of their way to listen to their hearts and CHAMPION THE BRAVE!
I hope they champion work that is unlike anything seen before, executed with love and attention by those who risk being fired. Work that rages against the sector, and which backs the unusual suspects. Work that we share proudly (even though we had nothing to do with it), reminding each other why we got into this mad industry.
Essentially, I hope Cannes champions the work that breaks into the cultural conversation, elevating a brand's message or product, demonstrating the true power of creativity, in what is an increasingly generic, noisy universe flattened by algorithms. Isn’t that what advertising at its best is all about?
We need the brave more than ever in the US – especially in a year where we lost one of the bravest creative leaders of them all, Ari Weiss.
Squarespace A Tale as Old as Websites
Squarespace and [CCO] David Lee are no stranger to creative excellence, but I love the audacity here to unexpectedly dive into a universe from a Celtic Indy movie (instead of a lazy, box office hit), and use effortless Monty Python wit, literally tossing around laptops and covering their digital brand in mud.
I hope Cannes champions the work that breaks into the cultural conversation, elevating a brand's message or product, demonstrating the true power of creativity.
It's a film starring by a questionably sober Barry Keoghan riding a donkey who incomprehensibly narrates without, perhaps, the necessary subtitles (even for the Irish). But, somehow, it all make perfect sense and is incredible. It's genius. It's brave!
Credits
View on- Agency Client Direct
- Production Company Biscuit Filmworks/USA
- Director Steve Rogers
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Credits
View on- Agency Client Direct
- Production Company Biscuit Filmworks/USA
- Director Steve Rogers
- Founding Partner Shawn Lacy
- Executive Producer Holly Vega
- Head of Production Sean Moody
- Editing Work Editorial/USA
- Editor Rich Orrick
- VFX Kevin VFX
- Partner/VFX Executive Creative Director Tim Davies
- Partner/VFX Senior Executive Producer Sue Troyan
- Senior VFX Producer Jami Schakel
- Color Harbor Picture Company/New York
- Executive Color Producer Nadia Dabibi
- Senior Color Producer Brad Martin
- Color Producer Maxwell Hudson
- Senior Colorist Damien Van Der Cruyssen
- Sound Design Midnight Snack (In House at Heard City)
- Audio Post Heard City
- Managing Audio Partner Gloria Pitagorsky
- Executive Audio Producer Liana Rosenberg
- Senior Audio Producer B Munoz
- Senior Audio Producer Nick Duvarney
- Audio Producer Dylan Stetson
- Lead Sound Designer/Audio Mixer Mike Vitacco
- Music Supervision Good Ear Music Supervision (GEMS)
- Production Services Bodacious
- Chief Creative Officer David Lee
- Group Creative Director Mathieu Zarbatany
- Creative Director Alex Thompson
- Creative Director Jose (Pepe) Hernandez
- Executive Producer Wes Falik
- Head of Production (HP) Erica Kung
- Producer Lee Groombridge
- Production Designer Robin Brown
- DP Daniel Landin
- Music Chris McMullan
- Production Services Producer Max Brady
- Production Services Production Designer Conor Dennison
- Talent Barry Keoghan
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Credits
powered by- Agency Client Direct
- Production Company Biscuit Filmworks/USA
- Director Steve Rogers
- Founding Partner Shawn Lacy
- Executive Producer Holly Vega
- Head of Production Sean Moody
- Editing Work Editorial/USA
- Editor Rich Orrick
- VFX Kevin VFX
- Partner/VFX Executive Creative Director Tim Davies
- Partner/VFX Senior Executive Producer Sue Troyan
- Senior VFX Producer Jami Schakel
- Color Harbor Picture Company/New York
- Executive Color Producer Nadia Dabibi
- Senior Color Producer Brad Martin
- Color Producer Maxwell Hudson
- Senior Colorist Damien Van Der Cruyssen
- Sound Design Midnight Snack (In House at Heard City)
- Audio Post Heard City
- Managing Audio Partner Gloria Pitagorsky
- Executive Audio Producer Liana Rosenberg
- Senior Audio Producer B Munoz
- Senior Audio Producer Nick Duvarney
- Audio Producer Dylan Stetson
- Lead Sound Designer/Audio Mixer Mike Vitacco
- Music Supervision Good Ear Music Supervision (GEMS)
- Production Services Bodacious
- Chief Creative Officer David Lee
- Group Creative Director Mathieu Zarbatany
- Creative Director Alex Thompson
- Creative Director Jose (Pepe) Hernandez
- Executive Producer Wes Falik
- Head of Production (HP) Erica Kung
- Producer Lee Groombridge
- Production Designer Robin Brown
- DP Daniel Landin
- Music Chris McMullan
- Production Services Producer Max Brady
- Production Services Production Designer Conor Dennison
- Talent Barry Keoghan
Apple Flock
A film that, when I first saw it, got me so jealous I had to do everything possible to try to stop myself calling [SMUGGLER EP and Co-Founder] Patrick Milling Smith to share my reluctant respect. Directed by Ivan Zacharias, one of my favourite filmmakers of all time, the uncompromising master has visualised privacy in such an original and playful way.
The uncompromising master has visualised privacy in such an original and playful way.
The Parliament post production is perfection, as is the overall look, feel, casting and performance. In the most welcome way, it feels grittier, riskier and realer for a glossy tech brand obsessive with design. It's a great example of the power of craft – you could imagine this film being a mess in the wrong hands and without a client willing to take a leap. Bravo to all involved.
Credits
View on- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company SMUGGLER
- Director Ivan Zacharias
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Credits
View on- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company SMUGGLER
- Director Ivan Zacharias
- VFX Parliament VFX
- VFX Legacy Effects
- Sound Barking Owl
- Associate Creative Director Tobias Lindborg
- Executive Creative Director Greg Greenberg
- Creative Director Matt Paterno
- Creative Director Parker Adame
- Associate Creative Director Felix Karlsson
- Associate Creative Director Dan Litzow
- Senior Producer Syd Ames
- Assistant Producer Laura Wames
- Music Supervisor Aron Helfet
- Associate Music Director Liz Pfriem
- Editor Mikkel EG Nielsen
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Credits
powered by- Agency TBWA\Media Arts Lab/Los Angeles
- Production Company SMUGGLER
- Director Ivan Zacharias
- VFX Parliament VFX
- VFX Legacy Effects
- Sound Barking Owl
- Associate Creative Director Tobias Lindborg
- Executive Creative Director Greg Greenberg
- Creative Director Matt Paterno
- Creative Director Parker Adame
- Associate Creative Director Felix Karlsson
- Associate Creative Director Dan Litzow
- Senior Producer Syd Ames
- Assistant Producer Laura Wames
- Music Supervisor Aron Helfet
- Associate Music Director Liz Pfriem
- Editor Mikkel EG Nielsen
DoorDash Your Door to More
I don’t know the director Nick Ball, and he’s clearly a mad person, but my god does he have BALLS! This is one of my ads of the year. The insight is so simple, so clever. That moment when your food order finally arrives and there is a ring at the door, we all weirdly jump into this excited ceremony, transitioning from waiting impatiently to the ritual of finally unveiling the curtain to the luke-warm feast's arrival.
This is one of my ads of the year. The insight is so simple, so clever.
The execution is perfect. Beautifully directed and perfectly choreographed by the master Ryan Heffington, importantly casting hilarious non-dancers. My wife is a master of this beautifully terrible tradition, Nick and her would get on.
Credits
View on- Agency Hard Work Club/Toronto
- Production Company OPC
- Director Nick Ball
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Credits
View on- Agency Hard Work Club/Toronto
- Production Company OPC
- Director Nick Ball
- Editing Stitch
- VFX Untold Studios
- Color Company 3/London
- Audio Post Stare Crazy Music & Sound
- Service Company Prague Unit + Sofa
- Executive Creative Director & Writer Meghan Kraemer
- Producer Lindsay Hann
- Associate Creative Director Maria Jose Arias
- Senior Designer Priya Mistry
- Executive Producer Harland Weiss
- Line Producer Max Brook
- Production Designer Marco Puig
- Producer Emily Harris
- Executive Producer. Donovan M. Boden
- DP Matyas Erdely
- Editor Leo King
- Assistant Editor Chris Hutchings
- Assistant Editor. Chris Wilson
- Head of VFX Jonathan Wood
- Executive Post Producer Lauren Oldfield
- VFX Supervisor Tom Moreland
- VFX Producer Will Tyler
- Compositor Michael Loney
- Executive Producer Ellora Soret
- Colorist Jean-Clement Soret
- Sound Design & Mix James Andersen
- Creative Director Amy Anderson
- Audio Producer Jonathan Dreyfus
- Sound Design and Mix. Daniel Muller
- Executive Producer Fady Salameh
- Line Producer Nikola Mohorita
- Art Director Tomas Homolka
- Executive Producer. Martin Sobotka
- Executive Producer.. Veronika Hajkova
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Credits
powered by- Agency Hard Work Club/Toronto
- Production Company OPC
- Director Nick Ball
- Editing Stitch
- VFX Untold Studios
- Color Company 3/London
- Audio Post Stare Crazy Music & Sound
- Service Company Prague Unit + Sofa
- Executive Creative Director & Writer Meghan Kraemer
- Producer Lindsay Hann
- Associate Creative Director Maria Jose Arias
- Senior Designer Priya Mistry
- Executive Producer Harland Weiss
- Line Producer Max Brook
- Production Designer Marco Puig
- Producer Emily Harris
- Executive Producer. Donovan M. Boden
- DP Matyas Erdely
- Editor Leo King
- Assistant Editor Chris Hutchings
- Assistant Editor. Chris Wilson
- Head of VFX Jonathan Wood
- Executive Post Producer Lauren Oldfield
- VFX Supervisor Tom Moreland
- VFX Producer Will Tyler
- Compositor Michael Loney
- Executive Producer Ellora Soret
- Colorist Jean-Clement Soret
- Sound Design & Mix James Andersen
- Creative Director Amy Anderson
- Audio Producer Jonathan Dreyfus
- Sound Design and Mix. Daniel Muller
- Executive Producer Fady Salameh
- Line Producer Nikola Mohorita
- Art Director Tomas Homolka
- Executive Producer. Martin Sobotka
- Executive Producer.. Veronika Hajkova
Beats Listen to Your Heart
shots, who I imagine are regretting asking me to do this by now, said I could one piece that came from magna studios, which is good, otherwise I’d have included five. Here, I want to salute the bravery of the clients and the agency; Eric Rasco and Mike Ruferso at Beats, and Jason Campbell’s incredible creative team at Translation.
This is a film about listening to your heart, made from the heart, and narrated by the heart.
This film could have been executed in many less painful ways, but on every step of the journey the team made each decision in order to make the work better. This is the first time Lebron and Messi star in commercial together, let alone with the new addition to goathood, Shohei Ohtani. A delicate negotiation given the Nike/adidas/New Balance conflict. The filmmakers Julien & Quentin had a day to pitch, and visualised the approach with a single, animated gif they created, which the client and team bravely backed them on (because, truth be told, they are geniuses).
The uncompromising post production by Blacksmith, the sound design by Concrete… this is a film about listening to your heart, made from the heart, and narrated by the heart (aka the Wu-tang Clan's RZA). Something I hope our industry continues to champion as we, too often, allow our head, our fear and our less creative bosses overrule our precious instincts.
Credits
View on- Agency Translation/Los Angeles
- Production Company magna studios/Los Angeles
- Director Julien & Quentin
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Credits
View on- Agency Translation/Los Angeles
- Production Company magna studios/Los Angeles
- Director Julien & Quentin
- Editing Trim/Los Angeles
- Post Company Blacksmith VFX/Los Angeles
- Production Service Oriental Films/Uruguay
- Head of Production Mike Refuerzo
- Senior Producer Eric Rasco
- Senior Producer Ryan St. George
- Art Director Ailrick Young
- Group Creative Director Castro Desroches
- Group Creative Director Steve Horn
- Senior Creative Eyob Yirgou
- Creative Lead Maximilian Gebhardt
- Creative Lead Chris Mendez
- President Davud Karbassioun
- Executive Producer James Sorton
- Executive Producer Nick Fuller
- Director of Production Clark Farrell
- Line Producer Lisa Cowan
- Production Designer Dylan Kahn
- DP Pat Scola
- DP Oliver Millar
- Executive Producer Michael Miller
- Producer Arniesha Williams
- Editor Paul Hardcastle
- Managing Director Meghan Lang Bice
- VFX Supervisor Rob Hodgson
- Head of 2D John Shirley
- Senior Producer Therese Mayer
- VFX Producer Will Mok
- Executive Producer Diego Robino
- Executive Producer Manolo Farachio
- Talent LeBron James
- Talent Lionel Messi
- Talent
- Voice Over RZA
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Credits
powered by- Agency Translation/Los Angeles
- Production Company magna studios/Los Angeles
- Director Julien & Quentin
- Editing Trim/Los Angeles
- Post Company Blacksmith VFX/Los Angeles
- Production Service Oriental Films/Uruguay
- Head of Production Mike Refuerzo
- Senior Producer Eric Rasco
- Senior Producer Ryan St. George
- Art Director Ailrick Young
- Group Creative Director Castro Desroches
- Group Creative Director Steve Horn
- Senior Creative Eyob Yirgou
- Creative Lead Maximilian Gebhardt
- Creative Lead Chris Mendez
- President Davud Karbassioun
- Executive Producer James Sorton
- Executive Producer Nick Fuller
- Director of Production Clark Farrell
- Line Producer Lisa Cowan
- Production Designer Dylan Kahn
- DP Pat Scola
- DP Oliver Millar
- Executive Producer Michael Miller
- Producer Arniesha Williams
- Editor Paul Hardcastle
- Managing Director Meghan Lang Bice
- VFX Supervisor Rob Hodgson
- Head of 2D John Shirley
- Senior Producer Therese Mayer
- VFX Producer Will Mok
- Executive Producer Diego Robino
- Executive Producer Manolo Farachio
- Talent LeBron James
- Talent Lionel Messi
- Talent
- Voice Over RZA
Kendrick Lamar Squabble Up
Whilst another Kendrick video gets most of the attention, the video I really love this year is Squabble Up. There are so many layered references and I respect how brave it is in not trying too hard to lay it on too thick. It's so smart and, in my mind, a work of art by the brilliant Calmatic.
Credits
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- Production Company PRETTYBIRD
- Director Chuck (Calmatic) Kidd II
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Credits
View on- Production Company PRETTYBIRD
- Director Chuck (Calmatic) Kidd II
- Production Co. pgLang
- Executive Producer Dave Free
- Executive Producer Kendrick Lamar
- Editing We’re Super Excited
- VFX Noise Studio/Los Angeles
- VFX Sunset Edit
- Producer Jason Baum
- Producer Jamie Rabineau
- Producer Sam Canter
- Production Designer Carlos Laszlo
- DP Marcell Rev
- Colorist Mikey Rossiter
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Credits
powered by- Production Company PRETTYBIRD
- Director Chuck (Calmatic) Kidd II
- Production Co. pgLang
- Executive Producer Dave Free
- Executive Producer Kendrick Lamar
- Editing We’re Super Excited
- VFX Noise Studio/Los Angeles
- VFX Sunset Edit
- Producer Jason Baum
- Producer Jamie Rabineau
- Producer Sam Canter
- Production Designer Carlos Laszlo
- DP Marcell Rev
- Colorist Mikey Rossiter
Apple Fútbol
I love the brave strategy behind this film, and the unapologetically simple execution. The MLS launches the week after the Super Bowl (on AppleTV+). So, instead of booking an expensive Super Bowl ad, they wait till the final whistle and then Leo Messi casually shares this mic-drop of a clip (to his half a billion Instagram followers!) making it one of the most watched clips of the year (mainly by my nine-year-old), reminding my fellow Americans what real football is all about.
Credits
View on- Agency Client Direct
- Production Company magna studios/Los Angeles
- Director Sam Pilling
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Credits
View on- Agency Client Direct
- Production Company magna studios/Los Angeles
- Director Sam Pilling
- Editing Work Editorial/USA
- VFX Blacksmith VFX/New York
- Creative Director Andreas Ekelund
- Creative Director Jillian Menor
- Group Creative Director Naz Arandi
- Head of Design Sean Murphy
- Creative Director Ledi Lalaj Dei
- Music Creative Lead Scott McDaniel
- Art Director Jackson Harper
- Copywriter Taylor Marsh
- Head of Production Kristin Tomborello
- Managing Producer Angela Narloch
- Film Producer Corie Rosenblatt
- President/Executive Producer Davud Karbassioun
- Executive Producer Nick Fuller
- Director of Production Clark Farrell
- Line Producer Jessica Lee / (Producer)
- Production Designer Adam Wilson
- DP Matthias Koenigswieser
- Editor Stewart Reeves
- Head of Production Meghan Lang Bice
- Managing Director Gabrielle Page
- VFX Lead Richard Lyons
- VFX Producer Paul O'Beirne
- Music Creative Eryk Rich
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Credits
powered by- Agency Client Direct
- Production Company magna studios/Los Angeles
- Director Sam Pilling
- Editing Work Editorial/USA
- VFX Blacksmith VFX/New York
- Creative Director Andreas Ekelund
- Creative Director Jillian Menor
- Group Creative Director Naz Arandi
- Head of Design Sean Murphy
- Creative Director Ledi Lalaj Dei
- Music Creative Lead Scott McDaniel
- Art Director Jackson Harper
- Copywriter Taylor Marsh
- Head of Production Kristin Tomborello
- Managing Producer Angela Narloch
- Film Producer Corie Rosenblatt
- President/Executive Producer Davud Karbassioun
- Executive Producer Nick Fuller
- Director of Production Clark Farrell
- Line Producer Jessica Lee / (Producer)
- Production Designer Adam Wilson
- DP Matthias Koenigswieser
- Editor Stewart Reeves
- Head of Production Meghan Lang Bice
- Managing Director Gabrielle Page
- VFX Lead Richard Lyons
- VFX Producer Paul O'Beirne
- Music Creative Eryk Rich
Tonal Stop Working Out in the Past
This may be an outsider, but in my mind is an absolute masterpiece from the late, great Ari Weiss and his QX team. The courage to make an ad for the fitness sector (and as a start-up agency) that is dark and depressing, and which essentially borrows from horror movies like The Omen and The Witch, as well as communicating strictly through bleak visuals and without any dialogue or VO, is incredibly brave... but the message at the end is still so clear and strong. A great example of the power of craft!
Ari was one of the best and the bravest, let's all take inspiration from his legacy as we move forward and champion – as well as try ourselves to be – brave.
As the legend himself put it; “Like any great idea, the insight is simple but the execution is unexpected and riveting. Great marketing doesn’t happen without great marketers, and the team at Tonal shared our ambition to make the marketing as disruptive as the product.”
The director, my friend Aube Perrie, is one of the most exciting new voices in film, and modestly saluted the team's bravery; "The trust and vision Ari puts in a director, how he allows for total creative space, paved the way for a project like no other, built by a shared obsession for uncompromising substance and imagery."
Ari was one of the best and the bravest. Let's all take inspiration from his legacy as we move forward and try to be (and champion the) brave. Our increasingly mad industry (and, let's face it, our world!) desperately needs it.
Credits
View on- Agency Quality Experience/New York
- Production Company Pulse Films/Los Angeles
- Director Aube Perrie
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Credits
View on- Agency Quality Experience/New York
- Production Company Pulse Films/Los Angeles
- Director Aube Perrie
- Editing Rock Paper Scissors
- VFX The Mill/Los Angeles
- Color The Mill/New York
- Audio Post Sound Lounge
- Music Barking Owl
- Creative Chairman Ari Weiss
- Chief Creative Officer Cristina Rodriguez Reina
- Chief Executive Officer Daniel Gonda
- Executive Producer Sherri Levy
- Executive Producer Christy Carter
- Executive Producer Casey Engelhardt
- Producer David French
- Head of Production Chris Harrison
- Production Manager Gregorio Back
- DP Jake Gabbay
- Editor Gwen Ghelid
- Producer Grace Ahn
- Head of Production Cynthia Laplaige
- Executive Producer Justin Kumpata
- Executive Producer Anastasia von Rahl
- Creative Director John Leonti
- Producer Sherilyn Martin
- VFX Supervisor Sarah Marikar
- CG Lead Tim Kafka
- Production Coordinator Kathia Salgado
- Colorist Mikey Pehanich
- Executive Producer Alexandra Lubrano
- Producer Colleen Valentino
- Sound Designer Brian Emrich
- Mixer Tom Jucarone
- Executive Producer Dana Villarreal
- Creative Director Johanna Cranitch
- Executive Producer Ashley Benton
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Credits
powered by- Agency Quality Experience/New York
- Production Company Pulse Films/Los Angeles
- Director Aube Perrie
- Editing Rock Paper Scissors
- VFX The Mill/Los Angeles
- Color The Mill/New York
- Audio Post Sound Lounge
- Music Barking Owl
- Creative Chairman Ari Weiss
- Chief Creative Officer Cristina Rodriguez Reina
- Chief Executive Officer Daniel Gonda
- Executive Producer Sherri Levy
- Executive Producer Christy Carter
- Executive Producer Casey Engelhardt
- Producer David French
- Head of Production Chris Harrison
- Production Manager Gregorio Back
- DP Jake Gabbay
- Editor Gwen Ghelid
- Producer Grace Ahn
- Head of Production Cynthia Laplaige
- Executive Producer Justin Kumpata
- Executive Producer Anastasia von Rahl
- Creative Director John Leonti
- Producer Sherilyn Martin
- VFX Supervisor Sarah Marikar
- CG Lead Tim Kafka
- Production Coordinator Kathia Salgado
- Colorist Mikey Pehanich
- Executive Producer Alexandra Lubrano
- Producer Colleen Valentino
- Sound Designer Brian Emrich
- Mixer Tom Jucarone
- Executive Producer Dana Villarreal
- Creative Director Johanna Cranitch
- Executive Producer Ashley Benton