Back in the underdog-house
The unlikely heroes of Apple and Mark Molloy's adorable The Underdogs from last year are back, and this time they're 'working' from home.
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Credits
View on- Agency Client Direct
- Production Company SMUGGLER
- Director Mark Molloy
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Credits
View on- Agency Client Direct
- Production Company SMUGGLER
- Director Mark Molloy
- Executive Producer Patrick Milling-Smith
- Executive Producer Brian Carmody
- Executive Producer Sue Yeon Ahn
- DP Greig Fraser
- Editor Neil Smith
- Editor Stewart Reeves
- VFX Company a52
- VFX Supervisor Urs Furrer
- Creative Director Dong Hoon Jun
- Assistant Director Anthony Dimino
- Line Producer Arlene McGann
- Production Designer Jason Hougaard
- Costume Designer Michelle Martini
- Executive Producer Monica Wilkins
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency Client Direct
- Production Company SMUGGLER
- Director Mark Molloy
- Executive Producer Patrick Milling-Smith
- Executive Producer Brian Carmody
- Executive Producer Sue Yeon Ahn
- DP Greig Fraser
- Editor Neil Smith
- Editor Stewart Reeves
- VFX Company a52
- VFX Supervisor Urs Furrer
- Creative Director Dong Hoon Jun
- Assistant Director Anthony Dimino
- Line Producer Arlene McGann
- Production Designer Jason Hougaard
- Costume Designer Michelle Martini
- Executive Producer Monica Wilkins
When Mark Malloy's The Underdogs for Apple came out last year, many people (us included) cried out for a sequel.
We loved seeing the cute quartet use their tech to solve the work mcguffin and set off to deliver the big presentation, but things have changed massively in the workplace since then, so what are they like with The Whole Working-From-Home Thing?
Answering this question admirably (whilst showcasing more nifty feature of the team's endless supply of Mac-gadgetry), the Smuggler director's new film gives us a delightful snapshot of each team member's WFH setup, bringing charm and genuine laughs with each scenario (Mike from finances katana collection being a particular joy).
Maintaining likeable performances and with the shoot showing no signs of lockdown restrictions, this visit from old pals is some welcome FaceTime.
