Jesse Dylan Shapes Social Cause Work via FreeForm
Eclectic FORM director uses new collaborative group to apply additional focus on causes, charities and social movements.
Jesse Dylan Shapes His Social Cause Work via FreeForm Eclectic FORM director uses new collaborative group to By Anthony Vagnoni
There’s another side of his work that has a more purpose-driven role—it’s a collection of films he’s made, along with Executive Producer Priscilla Cohen, for non-profits, social programs, companies, charities and NGOs. All of this work, the director says, is motivated by a different goal: to help people, groups, institutions or popular movements better tell their stories, and hopefully influence others at the same time. Dylan has now grouped all this work together under a new banner—FreeForm. It’s designed not merely as a way to offer Dylan’s work on a pro bono basis, but to allow him and his FreeForm colleagues of directors, artists, writers, photographers, planners and strategists to produce multimedia projects that promote people, products and ideas that make a difference.
His prominence as the director of recording artist will.i.am’s “Yes We Can” video (among other projects), has cemented his status as a socially-conscious filmmaker to be reckoned with. The short film, produced by FORM for the front man of the Black Eyed Peas, swept across the Internet in the months before Barack Obama’s election last year. It’s been recognized with everything from an Emmy to a Webby, and landed the pop star on CNN on Election Night to talk about the significance of Obama’s victory.
Not every project that FreeForm takes on is pro bono, Dylan adds, but he’s quick to note that whether or not this work has any budget behind it is beside the point. “What I like about this is that I get to work with Harvard on the lack of medical innovation in education, or with Creative Commons, or with Bono’s online music magazine, or with the One project on global poverty. Being able to work on so many of these different and compelling issues is what interests me.”
Does he see this effort having an impact on his work in advertising? In a roundabout way, the answer is yes. “Before you can make an ad, as a company you have to know who and what you are,” Dylan explains. “In advertising, basically you’re trying to present an idea to a single per-son—it’s about building a relationship. You really have to do that before you can make messages that resonate with people.” Similarly, the efforts of Free Form will be to engage, educate and inspire people on behalf of a range of causes, efforts and ideas, and to increasingly do that in a manner that doesn’t rely on traditional broadcast media to do so. And, as Dylan notes, this approach might not be for everyone. “You really have to want to ex-plain yourself to people, and not everyone wants to do that,” he suggests. “At FreeForm, we’re obviously interested in working on things that are socially conscious. And that can easily mean that we’ll be working for corporations, helping them better explain their corporate social responsibility efforts. I think that’s an area where we can make a big contribution. If a company wants to do good things, then what we can do is help them build up the story around that.” |