Refuge plays a chilling game of Hide and Seek
Charity teams up with Picturehouse and BBH on domestic abuse awareness campaign.
)
Credits
View on- Agency BBH/London
- Production Company Black Sheep Studios
- Director Lucy Bridger
-
-
Unlock full credits and more with a shots membership
Credits
View on- Agency BBH/London
- Production Company Black Sheep Studios
- Director Lucy Bridger
- Post Production Black Sheep Studios (In-House at BBH/London)
- Creative Jennifer Ashton
- Creative Oliver Short
- Creative Director Nikki Lindman
- Strategist Lucy Moody
- Chairman Jon Peppiatt
- Producer Sophie Hughes
- Executive Producer Sophie Dewey
- Executive Producer Dan Keefe
- Producer Ailsa Vanessa Tapping
- DP Nick Morris
- Post Producer Thom Godsill
- Editor Jack Williams
- Colorist Simon Bourne
- Sound Neil Johnson
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency BBH/London
- Production Company Black Sheep Studios
- Director Lucy Bridger
- Post Production Black Sheep Studios (In-House at BBH/London)
- Creative Jennifer Ashton
- Creative Oliver Short
- Creative Director Nikki Lindman
- Strategist Lucy Moody
- Chairman Jon Peppiatt
- Producer Sophie Hughes
- Executive Producer Sophie Dewey
- Executive Producer Dan Keefe
- Producer Ailsa Vanessa Tapping
- DP Nick Morris
- Post Producer Thom Godsill
- Editor Jack Williams
- Colorist Simon Bourne
- Sound Neil Johnson
With domestic abuse affecting one woman in four during her lifetime and around 800,000 children every year, UK charity Refuge has teamed up with Picturehouse Cinemas and BBH London on a powerful new campaign.
The 60-second spot, directed by Lucy Bridger and produced by BBH's in-house production arm, Black Sheep Studios, highlights the fact that 90 per cent of domestic abuse which takes place in a family home is witnessed and experienced by children.
In the ad, a child is seen covering his eyes and counting, but the chilling sounds of violence in the background tell the viewer this is no carefree childhood game - he's simply trying to escape the constant abuse he witnesses in his home. It's only in the last scene, where he and his mother are seen safely ensconsed in a Refuge, that they're free to play.
