AI-driven tools, deepfakes, real-time 3D game engines and improvements in kinetic typography – a whole bunch of new technologies have been impacting the art of animation. Yet there’s a lot of love for simple stop-motion and old-school 2D drawings. This month, shots speaks to masters in the medium about trends in toonworld.
From intimate explorations of the female body to psychedelic tales of millennial medusas, animator and Strange Beast Creative Director Anna Ginsburg has carved out a space for fiercely personal, emotionally resonant storytelling. She talks to Amy Hey at OFFF Festival about her creative evolution and the power of animation in presenting sensitive subjects.
From cut paper and clay, to repurposed lace doilies and foraged leaves, stop-motion animator Hayley Morris revels in rich textures - embracing a joyfully analogue approach to bringing her miniature masterpieces to life.
Handmade down to the last thumbprint, the BBC’s UEFA Women’s Euro trailer brings football’s biggest stars to life in an intricate and action-packed claymation. We spoke to BLINKINK producer Rebecca Little about painstaking craft, uplifting tone, and why traditional techniques still score big in an increasingly digital world.
Joe Kinch, a director at Blue Zoo Animation London, talks YouTube's creative triggers, Netflix's animated eye-candy, and demon daddy long legs', as he reveals what's on his creative radar.
From Kellogg's Tony the Tiger to Compare the Market's meerkats, Electric Theatre Collective Animation Director David Bryan unpacks the enduring appeal of brand mascots and how to create one with cultural staying power.
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