Netflix and GM’s Super Bowl drive-in
Promoting General Motors' new deal to place EVs in the streaming giant’s shows, this fun big game spot sees Will Ferrell appear in a range of popular series.
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Credits
View on- Agency The Community/New York
- Production Company O Positive
- Director David Shane
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Credits
View on- Agency The Community/New York
- Production Company O Positive
- Director David Shane
- Executive Producer Ralph Laucella
- Executive Producer Marc Grill
- Head of Production Devon Clark
- Editing Mackcut
- Editor Gavin Cutler
- Executive Post Producer Gina Pagano
- Sound Designer Sam Shaffer
- VFX Framestore/Los Angeles
- Executive Creative Director Aron Hjartarson
- Creative Director Victoria Osborn
- Executive VFX Producer Nick Fraser
- Virtual Production & VFX Eyeline Studios
- Executive Producer Perry Kain
- Head of Production Eranka Weerasuriya
- Music Duotone Audio Group
- Executive Music Producer Ross Hopman
- Creative Director Peter Nashel
- Sound Design/Audio Mix Sonic Union
- Sound Designer/Audio Mixer Steve Rosen
- Audio Mixer Julienne Guffain
- Executive Producer Patrick Sullivan / (Head of Production)
- Color Company 3/Los Angeles
- Colorist Skip Kimball
- Senior Executive Color Producer Ananda Reavis
- Talent Will Ferrell
- Talent Jonathan Van Ness
- Talent Priah Ferguson
- Talent Vanessa Lachey
- Talent Antoni Porowski
- Line Producer Eric Liney
- Composer Jordan Lieb
- Composer Eric Hachikian
- Associate Creative Director Ruth Bellotti
- Associate Creative Director Marcelo Maciel
- Associate Producer Diana Sanchez
- Chief Creative Officer Frank Cartagena
- Copywriter Chris Henchy
- Copywriter Harper Steele
- Creative Director Guilherme Grossi
- Creative Director Gabriel Gama
- Creative Director Federico Diaz
- Creative Director Juarez Rodrigues
- Creative Director Ian Reichenthal
- Executive Creative Director Lucas Bongioanni
- Executive Producer Chris Parke
Explore full credits, grab hi-res stills and more on shots Vault
Credits
powered by- Agency The Community/New York
- Production Company O Positive
- Director David Shane
- Executive Producer Ralph Laucella
- Executive Producer Marc Grill
- Head of Production Devon Clark
- Editing Mackcut
- Editor Gavin Cutler
- Executive Post Producer Gina Pagano
- Sound Designer Sam Shaffer
- VFX Framestore/Los Angeles
- Executive Creative Director Aron Hjartarson
- Creative Director Victoria Osborn
- Executive VFX Producer Nick Fraser
- Virtual Production & VFX Eyeline Studios
- Executive Producer Perry Kain
- Head of Production Eranka Weerasuriya
- Music Duotone Audio Group
- Executive Music Producer Ross Hopman
- Creative Director Peter Nashel
- Sound Design/Audio Mix Sonic Union
- Sound Designer/Audio Mixer Steve Rosen
- Audio Mixer Julienne Guffain
- Executive Producer Patrick Sullivan / (Head of Production)
- Color Company 3/Los Angeles
- Colorist Skip Kimball
- Senior Executive Color Producer Ananda Reavis
- Talent Will Ferrell
- Talent Jonathan Van Ness
- Talent Priah Ferguson
- Talent Vanessa Lachey
- Talent Antoni Porowski
- Line Producer Eric Liney
- Composer Jordan Lieb
- Composer Eric Hachikian
- Associate Creative Director Ruth Bellotti
- Associate Creative Director Marcelo Maciel
- Associate Producer Diana Sanchez
- Chief Creative Officer Frank Cartagena
- Copywriter Chris Henchy
- Copywriter Harper Steele
- Creative Director Guilherme Grossi
- Creative Director Gabriel Gama
- Creative Director Federico Diaz
- Creative Director Juarez Rodrigues
- Creative Director Ian Reichenthal
- Executive Creative Director Lucas Bongioanni
- Executive Producer Chris Parke
- HP Laurie Malaga
Created by New York agency The Community and directed by David Shane through O Positive, this cinematic treat sees the actor appear in shows ranging from Bridgerton to Squid Game.
The spot opens with Ferrell engaging in bants with zombies as he drives a GMC Sierra Denali EV through the post-apocalyptic Las Vegas in Army of the Dead.
Explaining that the GM electric cars would only appear where they make historical sense, Ferrell appears as Dusty from Stranger Things to reassure us that we won’t see any EVs disrupting the shows 1980s nostalgia.
