Megan Thee Stallion’s venomous metamorphosis
In a Japanese-cinema-inspired promo for her viral track Mamushi, the American rapper transforms into a python to ensnare unsuspecting men.
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Credits
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Credits
View on- Production Company ProdCo
- Director Onda
- Edit Company Church Edit
- Colorist Dante Pasquinelli
- VFX Company CGF
- Sound Design Barking Owl
- Production Service PUSH Media
- Executive Producer Ian Pons Jewell
- Executive Producer Zico Judge
- Executive Producer Theo Hue Williams
- Producer Sarah Park
- Production Manager Laura Goldenstein
- Creative Director Onda
- Production Designer Kikuo Ohta
- DP Patrick Golan
- Editor Mah Ferraz
- Executive Post Producer LauRenn Reed
- Post Producer Kylie DeVries
- Color Producer Nat Tereshchenko
- VFX Supervisor Pavel Bezborodov
- Producer Ekaterina Averina
- Managing Director Carol Dunn
- Executive Producer KC Dossett
- Sound Designer/Audio Mixer Matt Keith
- Executive Producer Kristian Kvan Hansen
- Producer Saka Matsushita
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Credits
powered by- Production Company ProdCo
- Director Onda
- Edit Company Church Edit
- Colorist Dante Pasquinelli
- VFX Company CGF
- Sound Design Barking Owl
- Production Service PUSH Media
- Executive Producer Ian Pons Jewell
- Executive Producer Zico Judge
- Executive Producer Theo Hue Williams
- Producer Sarah Park
- Production Manager Laura Goldenstein
- Creative Director Onda
- Production Designer Kikuo Ohta
- DP Patrick Golan
- Editor Mah Ferraz
- Executive Post Producer LauRenn Reed
- Post Producer Kylie DeVries
- Color Producer Nat Tereshchenko
- VFX Supervisor Pavel Bezborodov
- Producer Ekaterina Averina
- Managing Director Carol Dunn
- Executive Producer KC Dossett
- Sound Designer/Audio Mixer Matt Keith
- Executive Producer Kristian Kvan Hansen
- Producer Saka Matsushita
American rapper Megan Thee Stallion has launched this sultry and cinematic promo, directed by Onda through ProdCo, for her viral track Mamushi (which translates to a small, venomous pit viper), featuring Japanese rapper Yuki Chiba.
The story opens in a traditional Japanese bathhouse, where Onda recreates the 'Heaven on Earth' scene from Rush Hour. Spliced with playfully-choreographed vignettes inspired by the aesthetics of Japanese cinema, Stallion lures a male customer to her watery lair where she transforms into a giant snake and kills him.
Starting in black and white -a nod to the legendary Akira Kurosawa- the film gradually warms to rich, red tones as the man falls under her spell, eventually cooling into blues for a hypnotic dance performed by an army of her dead victims.
